Six therapy
by
Michael Dresdner
Six Dance Lessons in Six Weeks at Tacoma Little Theatre is about as comfortable and delightful an experience as you can imagine having in a theater.
Six Dance Lessons in Six Weeks at Tacoma Little Theatre is about as comfortable and delightful an experience as you can imagine having in a theater.
This sweet,
poignant slice of life nimbly opens a window onto two endearing characters who
waltz right into your heart with a gentle rhythm and a touching realism. What
follows is a very agreeable glimpse into humanity at its finest, and when it
was over, I fervently wished I could stay seated and click the remote to watch
another episode. It was that enjoyable.
Lily
Harrison (Sharry O’Hare) is a refined Southern Baptist minister’s widow and former
school teacher living in a gulf-view Florida retirement high rise. She contracts
for six dance lessons over six weeks to be taught in her apartment.
First-time
instructor Michael Minetti (Micheal O’Hara), a sassy, irreverent transplanted
NYC gay man, shows up and immediately creates friction with his rather coarse
humor and language. Sparks fly, but they manage to make it through the first
lesson. By the time six weeks have passed, they’ve gradually unveiled their
secrets, pasts, pains, and warmth to one another, and as expected, formed an
indelible bond.
The bulk
of why this works so well is undoubtedly the two actors. Real life couple
Micheal and Sharry are both superb actors on their own, each with acres of
credentials and well deserved accolades. Together, they mesh divinely, and work
together often enough, and well enough, to merit being called Tacoma’s Lunt-Fontannes.
One can’t say enough about how satisfying it is to watch that magic combination
of great acting and great chemistry.
The fine
acting could only have been helped by director Frank Kohel, and he deserves
credit for an excellent job. So does the rest of the production crew.
The set,
by Blake York, is the quintessential retired-to-Florida apartment, right down
to the furniture brought down from up north, the clean walls, the always
running ceiling fan, and the huge glass wall providing an ocean view. Lighting,
which wrapped each scene close in a waning spotlight, was well executed by
Niclas R. Olson.
Each
scene had new costumes by Michele Graves, who also did props. There were fourteen
costumes in all, often eye-catching but always perfect, adding another
dimension to both to the scene and the characters. There was not a single
aspect of this production that was not beautifully executed.
I
realize the theatre blurb does not sound like much. “Why would I want to watch
someone taking dance lessons?” You wouldn’t, of course, but that’s merely the
setting.
Ultimately,
this play is about the tender blossoming of a sweet, but unlikely relationship
that heals two people who desperately need one another, whether they realize it
or not.
Trust me
on this one. Go see it. You will thank me.
Six Dance Lessons in Six
Weeks
January 18 through February
10, 2013
Tacoma
Little Theatre
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