A Curate’s Egg
|L to R: Lydia Hedman, Dan Lysne, Kirsten Deane All photos by DK Photography|
In the stage adaptation of the obligatory seasonal indulgence It’s a Wonderful Life, George Bailey’s business, the Building and Loan, is a somewhat ramshackle place with a noble mission and a heart of gold. The same can be said for Tacoma Little Theatre’s production, directed by Maria Valenzuela. It’s a bit rough around the edges, but has enough heart to win over its audiences.
|L to R: Jordan Talbot, |
Jameil Jackson, Dan Lysne
You probably know this, but bear with me for a short synopsis. George Bailey (Dan Lysne) runs the modest building and loan company started by his parents (Curtis Beech and Leigh Duncan) after being repeatedly foiled in his desire to flee the small town of Bedford Falls and see the world. When his partner and uncle Billy (George Mc Clure) loses enough money to shut down the business on the eve of a bank examiner’s visit, George decides to end it by jumping off a bridge. He’s stopped by a guardian angel, Clarence Oddbody (Gary Spees) sent by the Angel Superintendent (Andrew Fry) who acts as the de facto narrator of Bailey’s background story. Clarence shows George what the town and its inhabitants would be like if he’d never been born, and he realizes he is indeed a valued cog in the gears. Convinced, he returns to his wife and children to find that the whole town has turned out to cover the monetary loss and reassure George of how much he is loved and appreciated.
|Tom Birkeland, in wheelchair, with ensemble|
I must admit that I was particularly eager to see Tom Birkeland, who plays the wheelchair-bound Mr. Potter, George’s nemesis and the wealthiest, crankiest man in town. Birkeland has long been one of the South Sound’s most outstanding actors, but has been on medical hiatus for a number of years. He’s lost nothing; his performance was balanced, powerful, and flawless, and easily the shining light of the play. It’s nice to see the old timers showing the young how it’s done.
|L to R: Kirsten Deane, Dan Lysne|
A close second was Kirsten Deane, who played George’s wife Mary with just the right mix of warmth, coyness, affection, and ebullience. It’s a huge cast, too big to list, but there were other high spots as well, like the short but well-played role of the young George by Brian Loughridge, and the before-and-after maturation of Violet Bick, played by Allyson Jacobs-Lake.
With 27 separate scenes in a dozen different settings, the task of coming up with a set that worked for all must have been daunting. With a bit of imagination and a parade of moving furniture pieces, Blake York’s complex set held up quite nicely to the play’s considerable demands. The same can be said of Michele Grave’s costumes, Pavlina Morris’ lighting, Karrie Nevin’s props, and the sound design by Darren Hembd, which included a live piano accompanist, Zachary Kellog.
This is not slick, polished, professional theatre, but one could argue that it’s better this way. It’s a Wonderful Life is all about heart, love, and the regular folk of a town, and that’s just the feeling this production conveys. If you, like so many, need a yearly dose of this heartwarming Christmas classic, this play is a far better way to consume it than sitting in front of the TV for yet another rerun of the movie you know by heart.
It’s a Wonderful Life
Nov. 29th to Dec. 22nd, 2013