Black clad and black hearted
by
Michael Dresdner
L to R: Dylan Twiner, Nathan Rice
If a
classic ghost story rings your bell, Lakewood Playhouse has just the
ticket for you, literally. The Woman in
Black, directed by Beau M. K. Prichard, is an old style chiller that starts
with a puzzling but innocent premise, and slowly unfolds to a decidedly
upsetting conclusion.
This is
not a play of gunshots and chilling screams, but rather one that builds
gradually, revealing its most horrid aspect only at the very end. There’s no
gore, and although we hear sounds suggestive of fear and calamity, we never see
anyone harmed or killed. Rather than being visceral, it is an intellectual
thriller that relies on the audience investing in the somewhat convoluted tale.
The
story begins in an abandoned theater with a man named Kipps (Dylan Twiner) who
hires an unnamed actor (Nathan Rice) to help him present the horrific true
story he’s written down. The hired actor agrees to portray Kipps, who in turn portrays
both the narrator and all the other characters in Kipps’ story. Kipps, we find
out, is a solicitor sent to close the affairs of a now dead recluse, and at her
funeral he catches the first glimpse of a mysterious woman in black (Kat Ogden
in a non-speaking role), though none of the other decidedly skittish townsfolk
admit to having seen her.
L to R: Dylan Twiner, Nathan Rice
Kipps stays
in the dead woman’s secluded home on the marshes to plow through her papers,
and gradually discovers the horrific secrets of the household. As he does, he
experiences first-hand a range of inexplicable and spooky phenomena, all of
which seems to have some connection to the woman in black. It is only when the
tale is concluded and we’re once again with the actor and the storyteller in
the abandoned theater that we find out just how evil, and how dangerous, all
this may be.
Both
actors did a very credible job, though, admittedly, Twiner had to create many
more iterations and dialects. They were helped by copious and excellent
lighting effects by Niclas R. Olson and sound effects by Keith Jewell, and a
range of spot-on period costumes by the meticulous Alex Lewington.
And yet,
there was a nagging sense that the whole, in this case, was a bit less than the
sum of its parts. Perhaps it was the wordy and plodding first act that robbed
it of some of its thrill, or pacing that dragged just a tad too much. Then too,
doing this play in the round presents its own challenge. It’s important for the
audience to witness the fleeting glimpses of mysterious people and actions, but
depending on what direction you are looking and where you sit, you might well
miss some of the more subtle elements.
As I
said, this is classic fare for the ghost story lover, but plan to be patient
and attentive for the first half, for the bulk of the action and all the
explanation comes late in the play.
The Woman in Black
February 22nd to
March 17th, 2013
Lakewood
Playhouse
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